Netflix has had the biggest footprint, acquiring or producing numerous animated films. The streamers have jumped into animation in a big way, either as producers or distributors. New arrivals include Dan Harmon’s Krapopolis for Fox, Amazon’s The Legend of Vox Machina and The Boys Presents: Diabolical, and the Disney sequel The Proud Family: Louder and Prouder. Plus, there are animated series bowing in 2022 that will join several dozen already available. High-profile 2022 titles include Paramount’s Blazing Samurai, Universal/Illumination’s Minions: The Rise of Gru, Universal/ DreamWorks’ The Bad Guys and Puss in Boots: The Last Wish, Sony’s Spider-Man: Across the Spider-Verse (Part One), Warner’s DC League of Super-Pets, Disney’s The Ice Age Adventures of Buck Wild and Strange World, Disney/20 th Century’s The Bob’s Burgers Movie and Disney/Pixar’s Turning Red and Lightyear. We have already seen an increase in the amount of animated content for adults, such as Love, Death + Robots, and filmmakers are seeing animation as a way of telling more diverse stories.” Animal Logic co-produced Sony’s Peter Rabbit 2: The Runaway (2021) and is working with Netflix Animation on The Magician’s Elephant and Warner on Toto, the latter two due in 20, respectively. The success of films like Spider-Man: Into the Spider-Verse are showing that audiences are engaged in different styles of animation. Flee being nominated for this year’s Oscars is a great example of this. Kane Lee, Head of Content for Baobab Studios, comments that “there has been a real sea change in supply and demand for anima tion content, both in general and across genres.”Īccording to Ingrid Johnston, Animal Logic Head of Production, “Right now, we have a great opportunity to see a wide range of animation styles and stories told in animation. “There has been an explosion of animation over the last few years in all areas and styles,” says David Prescott, Senior Vice President, Creative Production of DNEG Animation, which co-produced the Disney/20 th Century Studios hit Ron’s Gone Wrong in 2021 and worked on Paramount’s Under the Boardwalk for this year and Alcon/Sony’s Garfield project for 2024. Animation has also established a strong streaming presence. More than 50 animated titles have topped the $500 million mark. Four animation titles in the top 25 films released in the past four years have grossed over $1 billion dollars world wide, led by Disney’s Incredibles 2 (2018), The Lion King (2019), Toy Story 4 (2019) and Frozen II (2019), according to Box Office Mojo. The diverse array of titles includes both high-grossing sequels of franchises that are mostly for children and fare for teens and/or adults that push the animation envelope in terms of content and style.Īnimated movies have already established themselves as a significant part of the movie business, having achieved formidable box office grosses. Animated features and series of all types and stripes are launching this year, thanks to growing global demand, an anime goldrush and the impact of the streamers.
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